Monday, March 16, 2020

Help Im a Workaholic!

Help Im a Workaholic! Okay, being a workaholic sounds doesn’t sound like a very positive description. You might consider yourself to be more along the lines of â€Å"too efficient† but the truth is, being extremely efficient at work can have its drawbacks, too. Consider these tips, inspired by Laura Vanderkam at FastCompany.com. Realize You Move at a Faster SpeedFirstly, if you’re driving at 90 mph and your coworkers are cruising along at the speed limit, odds are you’re pretty frustrated whenever you’re waiting on them to turn around an assignment or component for a shared project. The solution here isn’t to slow down, necessarily, but be aware that your natural pace may not match up automatically with those around you.And chances are, if you’re feeling frustration, others may be sensing it. Approach your workflow with all that characteristic efficiency, but build the time delays into it, so you know when to expect and how to respond to them.Don’t R ush Past Important Workplace CheckpointsSecondly, what if you know you’re the most productive person in the office, but promotions keep going to other people? Sure, maybe you’re just too valuable where you are, but  take a look at the politics of the workplace for a possible explanation.You may be working speedily and effectively, but are you taking the time to build personal relationships? Make the effort to accept a happy hour invitation at least once a month; support your colleagues by celebrating their milestones and pitching in on projects if they need help. Take 10 minutes to schmooze a little with someone you actually like talking to- you never know when a positive impression will come in handy.Besides, if you churn through your to-do list at a breakneck pace and don’t have a lot of patience for stragglers, you’re actually demonstrating poor management skills. Good managers motivate their teams, and help them balance responsibilities and tasks, r ather than steamrolling by and expecting them to follow automatically. Mentor your coworkers, particularly those further down the hierarchy- demonstrate to the higher ups that you may be a wunderkind, but you’re also a team player.Make Sure Your Contributions are KnownAnd finally, make sure someone knows how productive you are! The disadvantage to keeping your head down and your eyes on the target is that people may come to take for granted what you contribute. Schedule regular check-ins with your boss, disguised as a â€Å"status meeting† if necessary, to ensure that your accomplishments are on their radar.Then, kick back and enjoy leaving promptly at 5- virtue (or high level efficiency) can also be rewarded by the timely end to the work day.The Downside To Being Super Efficient At WorkRead More at Fast Company

Immigration in the US essays

Immigration in the US essays Girl" was first published in 1983 in At the Bottom of the River, a collection of stories which won the Morton Dauwen Zabel Award from the American Academy and Institute of Arts and Letters. "Girl" is a short piece that shows the dialogue between an older woman and a younger girl, probably a mother and her adolescent daughter. In the piece, the mother instructs her daughter on many subjects, from cooking and cleaning to social skills and love. Despite its brevity, "Girl" is a work which accurately and intimately portrays a mother-daughter relationship and The title of the piece, "Girl", is an integral part of the work itself. The title serves several purposes. First, the title represents the age of the daughter. She is not a woman, not yet on her own, but a girl, still dependent on another, still with much to learn. Second, the title represents the mother's perception of her daughter. She does not consider her a woman or a young lady, but a naive girl in need of constant instruction and supervision. A third purpose of the title is that it represents the daughter's struggle to find her own emerging identity in the shadow of her mother and the shadow of the identity her mother wants her to take on. She is not named in the piece, nor is her place defined; she is not "daughter", "sister", "mother", or "wife", but "girl". "Girl" depicts the mother-daughter relationship that appears when the daughter reaches adolescence, a time of great change in the relationship. Kincaid uses Caribbean idioms and speech patterns to lend realism to the dialogue. The dialogue borders on monologue on the part of the mother. The girl is hardly able to squeeze in a word, having only two brief sentences in the entire work. Very likely, however, this is not even one speech by the mother, but a compilation of several bits of advice. To the daughter's ears, the plethora of advice and rules ...